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A paperback novel which examines the lives of four North American expatriates in a small Mexican village as each is drawn into the aura of the landscape and changed by the experience. By the author of STONES FOR IBARRA, winner of the American Book Award in 1984.
- Sales Rank: #6528261 in Books
- Published on: 1994-02
- Format: Large Print
- Original language: English
- Number of items: 1
- Dimensions: 8.50" h x 5.50" w x .50" l,
- Binding: Paperback
- 242 pages
From Publishers Weekly
"Three North American women, aged thirty-two, forty-two and eighty-three, sit, each alone, trying to remember love." In Doerr's (Stones for Ibarra) exquisitely nuanced, elegant and wise second novel set in a little village in Mexico, the characters have briefly left the world to ponder their uncertain futures. Artist Sue Ames impulsively buys 10 acres of land in Amapola with another American, shady speculator Bud Loomis. She is fleeing a disappointing marriage to a man whose mercurial ways have tried her soul. Twice-divorced travel-writer Fran Bowles builds a house on the subdivided land to provide a haven for her latest lover--who is destined to leave her. Ursula, Fran's mother, has come back to Mexico, where she was born, to die. She is the most elegantly realized character, and the one with whom one suspects Doerr most empathizes. Living with the aching memory of conjugal love and the knowledge of imminent death, Ursula searches for the meaning of existence in "the brilliant patchwork of her never-ending past," recalled in poignant memories and crowned by a sentimental tribute to a beloved figure of her youth. In 10 chapters whose vignettes have the vividness of dreams, Doerr creates portraits of the gentle, desperately poor residents of Amapola and the courtly aristocrat Don Enrique Ortiz, who protectively observes the buyers of his ancestral estate. She paints the Mexican setting like a mural: verdant gardens, a parched plain, village houses vibrantly painted the colors of fruit, the "azure sprawl" of morning glories clambering over tombstones. In spare, lapidary prose, she evokes heat, dust and drought; drenching rain; the clarity of light; the radiance of the air; the smell of jasmine, and of rot. She observes with irony the ways in which people of different cultures exist in mutual, courteous misunderstanding. But most of all she delicately celebrates the persistence and endurance of past experience, knit by memory into the fabric of life.
Copyright 1993 Reed Business Information, Inc.
From Kirkus Reviews
From the author of the American Book Award-winning Stones for Ibarra (1984): a novel that limns in lapidary prose a story of loss and renewal in a small Mexican village--a town transformed by Americans inadvertently ``into something more beautiful than it is.'' As in an old morality fable--without the moralizing--Doerr tells of four expatriates driven to seek refuge in a place so unfamiliar that its ``otherness'' will be the catalyst that restores them. When ``two irresolute Americans'' arrive in tiny Amapolas, set in the midst of a barren mesa, and together buy ten acres from the local grandee, the villagers observe them with curiosity and tolerance. But recently divorced artist Sue Ames and her unlikely business partner, Bud Loomis (on the run from the Arizona tax authorities), have different reasons for making the purchase: Sue hopes to live there forever, and Bud wants to restore his finances. Realizing, though, that they can't afford their houses unless they subdivide the land, they sell plots to the 79- year-old Ursula Bowles, a recent widow, who was born in Mexico and now wants to regain ``the brilliant patchwork of her never-ending past,'' and her twice-divorced daughter, Fran, who wants a house so that her Mexican lover can visit her. Over a period of five years, houses are built; droughts take their toll; locals in the Americans' employ prosper; and the four Americans begin to change: Sue realizes that she'd been too hasty in divorcing her husband; the now-dying Ursula accepts the loss of life and love (``an individual life is in the end nothing more than a stirring of air''); Fran, abandoned by her glamorous lover, meets a homely but dependable archaeologist; and Bud pays back his taxes and becomes a local benefactor. Wisdom and happiness prevail. A beautifully rendered novel in which the happy endings are more eloquent epiphanies than facile plot wrap-ups--and a second novel well worth the wait. -- Copyright �1993, Kirkus Associates, LP. All rights reserved.
Review
Doerr's long-awaited second novel--a four-week PW bestseller and one of PW 's best books of 1993--depicts four North Americans who settle in the Mexican countryside. (Publishers Weekly )
From the author of the American Book Award-winning Stones for Ibarra (1984): a novel that limns in lapidary prose a story of loss and renewal in a small Mexican village--a town transformed by Americans inadvertently ``into something more beautiful than it is.'' As in an old morality fable--without the moralizing--Doerr tells of four expatriates driven to seek refuge in a place so unfamiliar that its ``otherness'' will be the catalyst that restores them. When ``two irresolute Americans'' arrive in tiny Amapolas, set in the midst of a barren mesa, and together buy ten acres from the local grandee, the villagers observe them with curiosity and tolerance. But recently divorced artist Sue Ames and her unlikely business partner, Bud Loomis (on the run from the Arizona tax authorities), have different reasons for making the purchase: Sue hopes to live there forever, and Bud wants to restore his finances. Realizing, though, that they can't afford their houses unless they subdivide the land, they sell plots to the 79- year-old Ursula Bowles, a recent widow, who was born in Mexico and now wants to regain ``the brilliant patchwork of her never-ending past,'' and her twice-divorced daughter, Fran, who wants a house so that her Mexican lover can visit her. Over a period of five years, houses are built; droughts take their toll; locals in the Americans' employ prosper; and the four Americans begin to change: Sue realizes that she'd been too hasty in divorcing her husband; the now-dying Ursula accepts the loss of life and love (``an individual life is in the end nothing more than a stirring of air''); Fran, abandoned by her glamorous lover, meets a homely but dependable archaeologist; and Bud pays back his taxes and becomes a local benefactor. Wisdom and happiness prevail. A beautifully rendered novel in which the happy endings are more eloquent epiphanies than facile plot wrap-ups--and a second novel well worth the wait. (Kirkus Reviews )
Most helpful customer reviews
30 of 30 people found the following review helpful.
Why did she start writing so late in life?
By Peggy Vincent
Harriet Doerr cheated herself and her readers by not devoting herself to the craft of writing much earlier in her life. She's best known for Stones for Ibarra, but I think Tiger in the Grass is her real masterpiece, and Consider This, Senora comes in second. However, all 3 of her books are excellent and demonstrate a respect for the craft of writing the perfect sentence that readers will appreciate and writers can all learn from.
Consider This, Senora is a collection of chapters focused around a small town in central Mexico where several expatriates come to live on a mesa above the dirt-poor town. It's written so carefully that each chapter can actually stand alone as a complete tale, but taken together they form a history of 6 years of life in both the village and on the mesa. We grow to care about them all: the padre, the mayor, the beggars, the income tax cheat, the man-chaser, the widow, the pianist, the beautiful 14yo serving girl, all of them.
Luminous and insightful, filled with beautiful language and the perfect turn of each phrase, Consider This, Senora, is a masterpiece.
16 of 17 people found the following review helpful.
Beautifully written
By A Customer
I don't think this story is as exquisitely constructed as Doerr's 'Stones for Ibarra.' (In 'Stones for Ibarra,' Doerr wove a series of short stories into a rich tapestry of a novel; 'Consider This Senora' has a more traditional structure.) However, she still does a wonderful job describing rural Mexican culture from an American outsider's point of view. The language she uses is clear and concise, and at the same time full of beautiful descriptions that reflect her understanding of her characters and of the human experience in general. Doerr's prose often reads almost like poetry. This book will leave you with many beautiful images of rural Mexico.
15 of 17 people found the following review helpful.
a gorgeous reading experience
By Eric McCalla
I first read CONSIDER THIS, SENORA many years ago. I have since re-read it several times, and have given it as a gift many times to fellow book lovers. This story is so beatifully written in its vivid characters and the colorful landscape of rural Mexico.
Ms. Doerr has assembled a small cast of players, with very different backgrounds and motivations, and dropped them on a mesa to live out their hopes and perhaps their dreams.
As she lived in Mexico for many years with her husband, who was a diplomat, Ms. Doerr paints the novel with very detailed descriptions of the smallest things like the colors of flowers. You almost can smell and see the blooms in your mind's eye.
One of the most poignant scenes is that of someone playing a piano and it sounds echoing softly across the mesa in the midst of a rainstorm. The imagery is dreamlike and quite peaceful.
Ms. Doerr didn't start writing in earnest until she had returned to college to earn her history degree when she was in her 70s. She has since written a collection of short stories, TIGER IN THE GRASS. She has a talent that has indeed been overlooked by millions of readers everywhere. Hopefully with time she will be recognized for her immense gift of storytelling!
Superb reading.
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